Two English gentlemen of the upper class, Ivor Willington and Lionel Jessop, play a card game about who will get the young beautiful widow Cathleen Paget and her fortune after her grieving year is over.

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The Boss Mrs Ingeborg

Hans Schabe is a man who lives a hallucinatory existence in which real life mixes with his fantasies and obsessions. The paranoia that has taken his soul hostage is the engine of the film. From childhood to death. The particularly delicate theme, the possibility of living and knowing everything from the inside of Hans touch and test the sensitivity of the viewer. No third person who narrates, no external eye that interprets. Only Hans and his visions in a state of hallucination.

On the eve of his return to Europe after an extended involuntary stay in 16th-century Brazil, the German sailor Hans Staden is captured by a hostile cannibal Indian tribe. In order to survive he tries to convince the Indians that he is not Portuguese (their enemies) but a friend of the French (their allies), and that his God would be very angry if they were to eat him.

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Cathrine has invited her family to celebrate Midsummer at her new boyfriend's summer house. Everything is set for a cozy family gathering, but the idyll is short-lived. Cathrine's ex-husband shows up unexpectedly. An evening of confrontations awaits Cathrine, who finally has to make a choice between the two men in her life.

'Nobody can tell you exactly about the meaning of life, but one thing is for sure: It's not being the richest guy on the cemetery.' (Peter Ustinov) HANS DAMPF is a musical Roadmovie Fairytale about wanting and having: We accompany our hero on his quest for luck and love down south and lucky he gets. Bartering his VW-Bus for a Three wheeler, that one for a nice rubber boat and the boat for a bike. He's all out of money when he meets Fee and it looks like they could live happily ever after.

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